The Curatorial Mutiny team is proud to announce that we have been granted support from Kulturbryggan in Stockholm to develop the project "Zygote." It is an interdisciplinary project where the audience gets to experience new bodily experiences in natural waters across Europe. In "Zygote", performance artists, musicians, fashion designers and researchers work to develop new bodily experiences. This takes place during excursions to natural lakes, rivers and pools where the audience's bodies are submerged under water.
The process does not result in a final performance, instead the working group conducts a series of ongoing investigations together with different audience groups. We call these proto-performances. This makes the work an ongoing and investigative process.
- In the Zygote experience a small audience group (6-8 people) travel by minibus to pools, rivers, lakes or to bays of the sea.
- Here, the audience is invited to "find their way back to" the foetal
stage while their bodies are immersed in water. They are led through
these experimental water exercises by a choreographer. Together with her
they develop new ways of experiencing their own bodies. They do so by
investigating movements that the foetus performs during its development
in the womb.
- To make the proto-performance process possible, a fashion designer
creates wet suits that the audience wears in the water. The goal is not
to create aesthetic costumes, but to create suits so that the audience
can experience new bodily experiences. The suit also has a
semi-permeable and stretchy cocoon-like "foetal membrane" and other
features that help them find their way back to the womb. This creates
limitations for the audience which in turn enables new bodily
experiences.
- With Zygote the working group also develops hardware
and software to work with sound in innovative ways. They are developed
to create sounds similar to what the foetus hears in the
womb. The goal is to work with the tactile quality of sounds (which the
audience feels underwater). We work with underwater speakers and develop
special digital interfaces. What leads to innovative sound expressions?
What can musicians and composers learn from this experience?
The project is developed in collaboration with our partner Vision Forum and is led by choreographer Carima Neusser.
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